In this chapter, I introduce Jungian psychodrama as I experienced it for three years under the guidance of Zurich-based analysts and psychodramatists Helmut and Ellynor Barz.1 I begin by reviewing a few key aspects of this form of psychodrama.
Adam Blatner (2015) Jung and Moreno: Essays on the Theatre of Human Nature. Edited by Craig E. Stephenson. Routledge, 2014. The Journal of Psychodrama, Sociometry, and Group Psychotherapy: Spring 2015, Vol. 63, No. 1, pp. 91-93.
Jung defines self as emerging inwardly in an intrapsychic process of individuation; Moreno defines self as enacted outwardly in psychosocial networks of relationships. Jung and Moreno: Essays on the theatre of human nature shows how Jung and Moreno can be creatively combined to understand better and facilitate therapeutic work. Craig E. Stephenson and contributors write about how and why they.
To many, Jung and Moreno seem to be on opposite sides in their theories and their practices of psychotherapy. Jung defines self as emerging inwardly in an intrapsychic process of individuation; Moreno defines self as enacted outwardly in psychosocial networks of relationships. Jung and Moreno: Essays on the theatre of human nature shows how Jung and Moreno can be creatively combined to.
Anteros: A Forgotten Myth (Routledge, 2011), and Jung and Moreno: Essays on the theatre of human nature (Routledge, 2014). Scope and content: This first accession of Craig Stephenson’s papers includes manuscripts, proofs, correspondence, writing for academic journals, teaching files and other material related to his life and work.
One of the members of San Diego Friends of Jung shared her suggestions for publicizing FOJ as follows:. A Forgotten Myth (2011), Jung and Moreno: Essays on the Theatre of Human Nature (2013), and Ages of Anxiety: Jung’s Types as Inspiration for Poetry, Music and Dance (2016). For the Philemon Foundation he edited On Psychological and Visionary Art: Notes from C. G. Jung’s Lecture on.
In R. Jones (Ed.) Body, Mind and Healing after Jung, A Space of Questions. London: Routledge. 2014, The loss and gain of timing: Active imagination in performance. In C. E. Stephenson (Ed.) Jung and Moreno, Essays on the theatre of human nature. London: Routledge. 2015, Idioms of Sami Health and Healing. Edmonton: The University of Alberta Press.
He is the author of Possession: Jung’s Comparative Anatomy of the Psyche (Routledge, 2009), editor of a collection of essays titled Jung and Moreno: Essays on the Theatre of Human Nature (Routledge, 2013), and the translator of Luigi Aurigemma’s book of essays, Jungian Perspectives (University of Scranton Press, 2007). He has lectured at the Bodmer Foundation, Geneva, for the Philemon.
Jung and Moreno; essays on the theatre of human nature To advance the body of knowledge about attachment transference from mother to romantic partner, in this study we specifically examined how culture and personal social beliefs influence mother-partner anxious attachment transference.
Books received. Bibliography of books published in 1996, 1997, and 1998 - Volume 7 Issue 2 - K Siehr Bibliography of books published in 1996, 1997, and 1998 - Volume 7 Issue 2 - K Siehr Read more.
Heisey, M. J. (1982). Clinical case studies in psychodrama. Washington DC: University Press of America. Hoey, B. (1997). Who calls the tune? A psychodramatic approach to child therapy.
Craig E. Stephenson, author of Possession: Jung’s Comparative Anatomy of the Psyche (Routledge, 2009), Anteros: A Forgotten Myth (Routledge, 2011), and Jung and Moreno: Essays on the Theatre of Human Nature (Routledge, 2013), is a graduate of the C.G. Jung Institute in Zurich, the Institute for Psychodrama in Zumikon, and the Centre for Psychoanalytic Studies, University of Essex. He is a.
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